Services

 

 

Architecture Design

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Zoning Analysis

Code Analysis

Site Analysis

Conceptual Design (Pre-design)

Cost Estimating

Programming

Material Research

Schematic Design

Design Development

Construction Documents

Construction Administration

Post Occupancy Evaluation

Quality Control Analysis

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Urbanism | landscape + urban design

 

Zoning Analysis

Code Analysis

Site Analysis

Conceptual Design (Pre-design)

Cost Estimating

Programming

Material Research

Schematic Design

Deign Development

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Interior

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Code Analysis

Site Analysis

Conceptual Design (Pre-design)

Programming

Material Research

Schematic Design

Design Development

Construction Documents

Construction Administration

Post Occupancy Evaluation

Quality Control Analysis

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The development of objects via built formations (buildings, interiors, and landscapes) or through the dismantling of thought will be developed through an ideology locating Surfaces via Densities – Boundaries and Transitions.  The point of departure for the derivative ideological cultural thought defines the framework, enabling a continuum of energy from project to project.

 

At all scales, design operates within the fabric of a culture that cannot exclude history.  History aligns time through Corresponding Moments revealing sites which designers program and/or re-program.  Architecture becomes the study of design via thought, reflection and making as an ideological critique of Corresponding Moments – both existing and non-existing – as a means to craft and re-craft cultural meanings.  The exploration of the Corresponding Moments of design focuses on Surfaces as a means to decipher meanings as the text of design.

The development of objects via built formations (buildings, interiors, and landscapes) or through the dismantling of thought will be developed through an ideology locating Surfaces via Densities – Boundaries and Transitions.  The point of departure for the derivative ideological cultural thought defines the framework, enabling a continuum of energy from project to project.

 

At all scales, design operates within the fabric of a culture that cannot exclude history.  History aligns time through Corresponding Moments revealing sites which designers program and/or re-program.  Architecture becomes the study of design via thought, reflection and making as an ideological critique of Corresponding Moments – both existing and non-existing – as a means to craft and re-craft cultural meanings.  The exploration of the Corresponding Moments of design focuses on Surfaces as a means to decipher meanings as the text of design.